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AI Is Transforming Research Presentations In the past, creating a research presentation often meant spending a great deal of time manually organizing content, adjusting layouts, and repeatedly revising PowerPoint slides. With the rapid development of large language models and generative AI, research presentations are entering a new stage. Today, research notes, paper summaries, and experimental […]

This edition features 17 publishers from various countries in the Global South, as well as the Amílcar Cabral Foundation of Cape Verde and the Tricontinental Institute for Social Research. These texts highlight the importance of the Russian Revolution and Lenin’s legacy for anti-colonial struggles, particularly for the liberation movements in Africa during the 1970’s. This

The images in this dossier, edited by Tricontinental’s art department, highlight the work of Kinjo Minoru, an Okinawan sculptor who honours the generations that have resisted war and occupation. For decades, Kinjo has carved the atrocities committed during and after the World Anti-Fascist War (widely known as the Second World War) era. Kinjo works in

The Twenty-Seventh Art Bulletin (May 2026) Listen to ‘Por Qué Cantamos / Canción Nueva’ (Why Do We Sing / New Song), from A Dos Voces (In Two Voices), a collaboration between Mario Benedetti and Daniel Viglietti that pairs Benedetti’s reading of ‘Por qué cantamos’ with Viglietti’s song ‘Canción Nueva’. In Latin America, the paths of

Sidney Amaral (Brazil), Mãe Preta ou A Fúria de Iansã [Black Mother or the Fury of Iansa], 2014. Dear friends, Greetings from the Nuestra América Office of Tricontinental: Institute for Social Research. There is a long, silent, and profitable war being waged in Nuestra América: the war on the poor. Although uniforms, doctrines, or slogans