Comercio Internacional

AI Is Redefining Scientific Visualization For a long time, creating scientific figures has been an exhausting and time-consuming process. Many researchers have experienced the same workflow: repeatedly adjusting arrows in PowerPoint just to finish a flowchart, endlessly tweaking fonts and colors in Illustrator to maintain consistency, or reorganizing entire layouts simply to make a figure

Hallucination is not a defect. It is the predictable output of a training regime built to reward fluency over accuracy. The fix is not a better model. It is a different architecture. A researcher in Bamako, Niamey, or São Paulo opens Gemini and asks for a literature review on the Alliance of Sahel States —

AI Is Transforming Research Presentations In the past, creating a research presentation often meant spending a great deal of time manually organizing content, adjusting layouts, and repeatedly revising PowerPoint slides. With the rapid development of large language models and generative AI, research presentations are entering a new stage. Today, research notes, paper summaries, and experimental

This edition features 17 publishers from various countries in the Global South, as well as the Amílcar Cabral Foundation of Cape Verde and the Tricontinental Institute for Social Research. These texts highlight the importance of the Russian Revolution and Lenin’s legacy for anti-colonial struggles, particularly for the liberation movements in Africa during the 1970’s. This

The images in this dossier, edited by Tricontinental’s art department, highlight the work of Kinjo Minoru, an Okinawan sculptor who honours the generations that have resisted war and occupation. For decades, Kinjo has carved the atrocities committed during and after the World Anti-Fascist War (widely known as the Second World War) era. Kinjo works in

The Twenty-Seventh Art Bulletin (May 2026) Listen to ‘Por Qué Cantamos / Canción Nueva’ (Why Do We Sing / New Song), from A Dos Voces (In Two Voices), a collaboration between Mario Benedetti and Daniel Viglietti that pairs Benedetti’s reading of ‘Por qué cantamos’ with Viglietti’s song ‘Canción Nueva’. In Latin America, the paths of